The DeepMind 12 has only one sawtooth oscillator per voice; the lower-level detuned OSC2 square substitutes for the OB-Xa dual-saw spread. Inferred translation of MusicRadar high filter sustain and octave-up recipe; unavailable 24 dB topology is approximated. Shared envelope controls compromise independent filter and amplitude sustain.
35 saved controls · — means no saved value
Demo this preset
Play a short exercise to hear the attack, movement and release. These are original audition patterns, not transcriptions of the reference song.
Behringer DeepMind 12 · per Eddie interview + MusicRadar · Polyphonic · 4/4
Listen to the chord attack and decay. Mono renditions use one note at a time.
Import the MIDI into your DAW, route its track to the synth showing this preset, and loop the selected bars. Tempo and key are exercise settings. C4 means MIDI note 60; some DAWs label octaves differently. The MIDI sends notes on channel 1 and contains no patch change. It does not load the preset or trigger hardware from this page.
Why this preset? Sources, design & revisions
Follow the decisions from reference to recipe. Excerpts below link to the full write-up. A recording link confirms identity, not the original gear or settings.
01
The reference
Retrieved sources · scope below
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
The selected sound is the keyboard part of Jump; no claim about other recordings is needed.
The interview supports the instrument attribution and overdub order, but supplies no knob settings. No original patch sheet was located.
Primary follows the artist's OB-Xa attribution and the illustrated MusicRadar recipe: octave-up second saw, 24 dB filter where available and high filter sustain. Hispasonic instead names OB-X and low sustain. Hardware amounts are inferred; neither recipe is an original patch sheet.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
The DeepMind 12 has only one sawtooth oscillator per voice; the lower-level detuned OSC2 square substitutes for the OB-Xa dual-saw spread. Inferred translation of MusicRadar high filter sustain and octave-up recipe; unavailable 24 dB topology is approximated. Shared envelope controls compromise independent filter and amplitude sustain.
04
Listen → improve → revise
Awaiting listening review
These settings have not been marked auditioned. Use Demo this preset, compare the attack, low end and movement, then use Improve to record what you hear. A saved revision is not proof of a listening test.
Research & revision history · 3 saved events
Updates
The saved research and rendition history.
Re-researched
No write-up sections changed.
Research: 69/100 → 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Remapped · Behringer DeepMind 12
Revision 1 · source version: primary
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
No control values changed; mapping write recorded. Write-up unchanged.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Researched
First research write-up · sound-research@v2.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Full saved write-up
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Primary follows the artist's OB-Xa attribution and the illustrated MusicRadar recipe: octave-up second saw, 24 dB filter where available and high filter sustain. Hispasonic instead names OB-X and low sustain. Hardware amounts are inferred; neither recipe is an original patch sheet.
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Walrus Audio Meraki Stereo Analog Dual Delay · Bypass
Why bypass this delay?
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Eventide H9 Max (instance #1) · Bypass
Why bypass this reverb?
Inferred routing choice for this reading; no original hardware chain is claimed. Reverb is suggested by the sources, but the panel exposes no exact algorithm selector, so H9 remains inactive; no algorithm-specific values are invented.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
ACTIVE
OFF
Saved settings outside this route
dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
MatrixBrute is not a true polyphonic OB-Xa-style voice stack, so the iconic block chords cannot be produced as played; this map trades chordal weight for a bright mono/paraphonic saw-brass timbre with chorus standing in for voice spread. Inferred translation of MusicRadar high filter sustain and octave-up recipe; unavailable 24 dB topology is approximated.
78 saved controls · — means no saved value
Demo this preset
Play a short exercise to hear the attack, movement and release. These are original audition patterns, not transcriptions of the reference song.
Arturia MatrixBrute · per Eddie interview + MusicRadar · Single notes · 4/4
Listen to the chord attack and decay. Mono renditions use one note at a time.
Import the MIDI into your DAW, route its track to the synth showing this preset, and loop the selected bars. Tempo and key are exercise settings. C4 means MIDI note 60; some DAWs label octaves differently. The MIDI sends notes on channel 1 and contains no patch change. It does not load the preset or trigger hardware from this page.
Why this preset? Sources, design & revisions
Follow the decisions from reference to recipe. Excerpts below link to the full write-up. A recording link confirms identity, not the original gear or settings.
01
The reference
Retrieved sources · scope below
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
The selected sound is the keyboard part of Jump; no claim about other recordings is needed.
The interview supports the instrument attribution and overdub order, but supplies no knob settings. No original patch sheet was located.
Primary follows the artist's OB-Xa attribution and the illustrated MusicRadar recipe: octave-up second saw, 24 dB filter where available and high filter sustain. Hispasonic instead names OB-X and low sustain. Hardware amounts are inferred; neither recipe is an original patch sheet.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
MatrixBrute is not a true polyphonic OB-Xa-style voice stack, so the iconic block chords cannot be produced as played; this map trades chordal weight for a bright mono/paraphonic saw-brass timbre with chorus standing in for voice spread. Inferred translation of MusicRadar high filter sustain and octave-up recipe; unavailable 24 dB topology is approximated.
04
Listen → improve → revise
Awaiting listening review
These settings have not been marked auditioned. Use Demo this preset, compare the attack, low end and movement, then use Improve to record what you hear. A saved revision is not proof of a listening test.
Research & revision history · 3 saved events
Updates
The saved research and rendition history.
Re-researched
No write-up sections changed.
Research: 69/100 → 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Remapped · Arturia MatrixBrute
Revision 1 · source version: primary
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
No control values changed; mapping write recorded. Write-up unchanged.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Researched
First research write-up · sound-research@v2.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Full saved write-up
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Primary follows the artist's OB-Xa attribution and the illustrated MusicRadar recipe: octave-up second saw, 24 dB filter where available and high filter sustain. Hispasonic instead names OB-X and low sustain. Hardware amounts are inferred; neither recipe is an original patch sheet.
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Walrus Audio Meraki Stereo Analog Dual Delay · Bypass
Why bypass this delay?
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Eventide H9 Max (instance #1) · Bypass
Why bypass this reverb?
Inferred routing choice for this reading; no original hardware chain is claimed. Reverb is suggested by the sources, but the panel exposes no exact algorithm selector, so H9 remains inactive; no algorithm-specific values are invented.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
ACTIVE
OFF
Saved settings outside this route
dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
MS-20 Mini is monophonic with no OB-Xa chord stack, per-voice detune/panning, or onboard ambience; this trades the iconic block chords for a bright single-voice saw brass to play as lead lines, rapid chord-tone arpeggios, or multitracked parts. Inferred translation of MusicRadar high filter sustain and octave-up recipe; unavailable 24 dB topology is approximated. Shared envelope controls compromise independent filter and amplitude sustain.
27 saved controls · — means no saved value
Demo this preset
Play a short exercise to hear the attack, movement and release. These are original audition patterns, not transcriptions of the reference song.
Korg MS-20 Mini · per Eddie interview + MusicRadar · Single notes · 4/4
Listen to the chord attack and decay. Mono renditions use one note at a time.
Import the MIDI into your DAW, route its track to the synth showing this preset, and loop the selected bars. Tempo and key are exercise settings. C4 means MIDI note 60; some DAWs label octaves differently. The MIDI sends notes on channel 1 and contains no patch change. It does not load the preset or trigger hardware from this page.
Why this preset? Sources, design & revisions
Follow the decisions from reference to recipe. Excerpts below link to the full write-up. A recording link confirms identity, not the original gear or settings.
01
The reference
Retrieved sources · scope below
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
The selected sound is the keyboard part of Jump; no claim about other recordings is needed.
The interview supports the instrument attribution and overdub order, but supplies no knob settings. No original patch sheet was located.
Primary follows the artist's OB-Xa attribution and the illustrated MusicRadar recipe: octave-up second saw, 24 dB filter where available and high filter sustain. Hispasonic instead names OB-X and low sustain. Hardware amounts are inferred; neither recipe is an original patch sheet.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
MS-20 Mini is monophonic with no OB-Xa chord stack, per-voice detune/panning, or onboard ambience; this trades the iconic block chords for a bright single-voice saw brass to play as lead lines, rapid chord-tone arpeggios, or multitracked parts. Inferred translation of MusicRadar high filter sustain and octave-up recipe; unavailable 24 dB topology is approximated. …
04
Listen → improve → revise
Awaiting listening review
These settings have not been marked auditioned. Use Demo this preset, compare the attack, low end and movement, then use Improve to record what you hear. A saved revision is not proof of a listening test.
Research & revision history · 3 saved events
Updates
The saved research and rendition history.
Re-researched
No write-up sections changed.
Research: 69/100 → 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Remapped · Korg MS-20 Mini
Revision 1 · source version: primary
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
No control values changed; mapping write recorded. Write-up unchanged.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Researched
First research write-up · sound-research@v2.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Full saved write-up
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Primary follows the artist's OB-Xa attribution and the illustrated MusicRadar recipe: octave-up second saw, 24 dB filter where available and high filter sustain. Hispasonic instead names OB-X and low sustain. Hardware amounts are inferred; neither recipe is an original patch sheet.
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Walrus Audio Meraki Stereo Analog Dual Delay · Bypass
Why bypass this delay?
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Eventide H9 Max (instance #1) · Bypass
Why bypass this reverb?
Inferred routing choice for this reading; no original hardware chain is claimed. Reverb is suggested by the sources, but the panel exposes no exact algorithm selector, so H9 remains inactive; no algorithm-specific values are invented.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
ACTIVE
OFF
Saved settings outside this route
dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
Neutron has only two VCOs with two-note paraphony through one shared filter/VCA, mono output, and no OB-Xa voice-card stereo spread or reverb; full Jump triads need multitracking or another poly synth, so this trades chord mass for bright dyad/single-note saw stabs. Inferred translation of MusicRadar high filter sustain and octave-up recipe; unavailable 24 dB topology is approximated.
30 saved controls · — means no saved value
Demo this preset
Play a short exercise to hear the attack, movement and release. These are original audition patterns, not transcriptions of the reference song.
Behringer Neutron · per Eddie interview + MusicRadar · Single notes · 4/4
Listen to the chord attack and decay. Mono renditions use one note at a time.
Import the MIDI into your DAW, route its track to the synth showing this preset, and loop the selected bars. Tempo and key are exercise settings. C4 means MIDI note 60; some DAWs label octaves differently. The MIDI sends notes on channel 1 and contains no patch change. It does not load the preset or trigger hardware from this page.
Why this preset? Sources, design & revisions
Follow the decisions from reference to recipe. Excerpts below link to the full write-up. A recording link confirms identity, not the original gear or settings.
01
The reference
Retrieved sources · scope below
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
The selected sound is the keyboard part of Jump; no claim about other recordings is needed.
The interview supports the instrument attribution and overdub order, but supplies no knob settings. No original patch sheet was located.
Primary follows the artist's OB-Xa attribution and the illustrated MusicRadar recipe: octave-up second saw, 24 dB filter where available and high filter sustain. Hispasonic instead names OB-X and low sustain. Hardware amounts are inferred; neither recipe is an original patch sheet.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Neutron has only two VCOs with two-note paraphony through one shared filter/VCA, mono output, and no OB-Xa voice-card stereo spread or reverb; full Jump triads need multitracking or another poly synth, so this trades chord mass for bright dyad/single-note saw stabs. Inferred translation of MusicRadar high filter sustain and octave-up recipe; unavailable 24 dB topology is approximated.
04
Listen → improve → revise
Awaiting listening review
These settings have not been marked auditioned. Use Demo this preset, compare the attack, low end and movement, then use Improve to record what you hear. A saved revision is not proof of a listening test.
Research & revision history · 3 saved events
Updates
The saved research and rendition history.
Re-researched
No write-up sections changed.
Research: 69/100 → 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Remapped · Behringer Neutron
Revision 1 · source version: primary
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
No control values changed; mapping write recorded. Write-up unchanged.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Researched
First research write-up · sound-research@v2.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Full saved write-up
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Primary follows the artist's OB-Xa attribution and the illustrated MusicRadar recipe: octave-up second saw, 24 dB filter where available and high filter sustain. Hispasonic instead names OB-X and low sustain. Hardware amounts are inferred; neither recipe is an original patch sheet.
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Walrus Audio Meraki Stereo Analog Dual Delay · Bypass
Why bypass this delay?
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Eventide H9 Max (instance #1) · Bypass
Why bypass this reverb?
Inferred routing choice for this reading; no original hardware chain is claimed. Reverb is suggested by the sources, but the panel exposes no exact algorithm selector, so H9 remains inactive; no algorithm-specific values are invented.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
ACTIVE
OFF
Saved settings outside this route
dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
The Prologue 8 lacks the OB-Xa's exact voice-card drift, filter character, and factory stereo pan behavior; this map trades that for dual detuned saws, Voice Spread, light drive, and restrained onboard reverb. Inferred translation of MusicRadar high filter sustain and octave-up recipe; unavailable 24 dB topology is approximated.
45 saved controls · — means no saved value
Demo this preset
Play a short exercise to hear the attack, movement and release. These are original audition patterns, not transcriptions of the reference song.
Korg Prologue 8 · per Eddie interview + MusicRadar · Polyphonic · 4/4
Listen to the chord attack and decay. Mono renditions use one note at a time.
Import the MIDI into your DAW, route its track to the synth showing this preset, and loop the selected bars. Tempo and key are exercise settings. C4 means MIDI note 60; some DAWs label octaves differently. The MIDI sends notes on channel 1 and contains no patch change. It does not load the preset or trigger hardware from this page.
Why this preset? Sources, design & revisions
Follow the decisions from reference to recipe. Excerpts below link to the full write-up. A recording link confirms identity, not the original gear or settings.
01
The reference
Retrieved sources · scope below
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
The selected sound is the keyboard part of Jump; no claim about other recordings is needed.
The interview supports the instrument attribution and overdub order, but supplies no knob settings. No original patch sheet was located.
Primary follows the artist's OB-Xa attribution and the illustrated MusicRadar recipe: octave-up second saw, 24 dB filter where available and high filter sustain. Hispasonic instead names OB-X and low sustain. Hardware amounts are inferred; neither recipe is an original patch sheet.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
The Prologue 8 lacks the OB-Xa's exact voice-card drift, filter character, and factory stereo pan behavior; this map trades that for dual detuned saws, Voice Spread, light drive, and restrained onboard reverb. Inferred translation of MusicRadar high filter sustain and octave-up recipe; unavailable 24 dB topology is approximated.
04
Listen → improve → revise
Awaiting listening review
These settings have not been marked auditioned. Use Demo this preset, compare the attack, low end and movement, then use Improve to record what you hear. A saved revision is not proof of a listening test.
Research & revision history · 3 saved events
Updates
The saved research and rendition history.
Re-researched
No write-up sections changed.
Research: 69/100 → 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Remapped · Korg Prologue 8
Revision 1 · source version: primary
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
No control values changed; mapping write recorded. Write-up unchanged.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Researched
First research write-up · sound-research@v2.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Full saved write-up
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Primary follows the artist's OB-Xa attribution and the illustrated MusicRadar recipe: octave-up second saw, 24 dB filter where available and high filter sustain. Hispasonic instead names OB-X and low sustain. Hardware amounts are inferred; neither recipe is an original patch sheet.
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Walrus Audio Meraki Stereo Analog Dual Delay · Bypass
Why bypass this delay?
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Eventide H9 Max (instance #1) · Bypass
Why bypass this reverb?
Inferred routing choice for this reading; no original hardware chain is claimed. Reverb is suggested by the sources, but the panel exposes no exact algorithm selector, so H9 remains inactive; no algorithm-specific values are invented.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
ACTIVE
OFF
Saved settings outside this route
dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
The UB-Xa covers the core topology; only the researched short plate/room ambience is outside this onboard control map and should be added externally. Inferred translation of MusicRadar high filter sustain and octave-up recipe; unavailable 24 dB topology is approximated.
85 saved controls · — means no saved value
Demo this preset
Play a short exercise to hear the attack, movement and release. These are original audition patterns, not transcriptions of the reference song.
Behringer UB-Xa · per Eddie interview + MusicRadar · Polyphonic · 4/4
Listen to the chord attack and decay. Mono renditions use one note at a time.
Import the MIDI into your DAW, route its track to the synth showing this preset, and loop the selected bars. Tempo and key are exercise settings. C4 means MIDI note 60; some DAWs label octaves differently. The MIDI sends notes on channel 1 and contains no patch change. It does not load the preset or trigger hardware from this page.
Why this preset? Sources, design & revisions
Follow the decisions from reference to recipe. Excerpts below link to the full write-up. A recording link confirms identity, not the original gear or settings.
01
The reference
Retrieved sources · scope below
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
The selected sound is the keyboard part of Jump; no claim about other recordings is needed.
The interview supports the instrument attribution and overdub order, but supplies no knob settings. No original patch sheet was located.
Primary follows the artist's OB-Xa attribution and the illustrated MusicRadar recipe: octave-up second saw, 24 dB filter where available and high filter sustain. Hispasonic instead names OB-X and low sustain. Hardware amounts are inferred; neither recipe is an original patch sheet.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
The UB-Xa covers the core topology; only the researched short plate/room ambience is outside this onboard control map and should be added externally. Inferred translation of MusicRadar high filter sustain and octave-up recipe; unavailable 24 dB topology is approximated.
04
Listen → improve → revise
Awaiting listening review
These settings have not been marked auditioned. Use Demo this preset, compare the attack, low end and movement, then use Improve to record what you hear. A saved revision is not proof of a listening test.
Research & revision history · 3 saved events
Updates
The saved research and rendition history.
Re-researched
No write-up sections changed.
Research: 69/100 → 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Remapped · Behringer UB-Xa
Revision 1 · source version: primary
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
No control values changed; mapping write recorded. Write-up unchanged.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Researched
First research write-up · sound-research@v2.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Full saved write-up
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Primary follows the artist's OB-Xa attribution and the illustrated MusicRadar recipe: octave-up second saw, 24 dB filter where available and high filter sustain. Hispasonic instead names OB-X and low sustain. Hardware amounts are inferred; neither recipe is an original patch sheet.
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Walrus Audio Meraki Stereo Analog Dual Delay · Bypass
Why bypass this delay?
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Eventide H9 Max (instance #1) · Bypass
Why bypass this reverb?
Inferred routing choice for this reading; no original hardware chain is claimed. Reverb is suggested by the sources, but the panel exposes no exact algorithm selector, so H9 remains inactive; no algorithm-specific values are invented.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
ACTIVE
OFF
Saved settings outside this route
dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
The DeepMind 12 has only one sawtooth oscillator per voice; the lower-level detuned OSC2 square substitutes for the OB-Xa dual-saw spread. Inferred translation of Hispasonic low filter sustain and short release. Shared envelope controls compromise independent filter and amplitude sustain.
35 saved controls · — means no saved value
Demo this preset
Play a short exercise to hear the attack, movement and release. These are original audition patterns, not transcriptions of the reference song.
Import the MIDI into your DAW, route its track to the synth showing this preset, and loop the selected bars. Tempo and key are exercise settings. C4 means MIDI note 60; some DAWs label octaves differently. The MIDI sends notes on channel 1 and contains no patch change. It does not load the preset or trigger hardware from this page.
Why this preset? Sources, design & revisions
Follow the decisions from reference to recipe. Excerpts below link to the full write-up. A recording link confirms identity, not the original gear or settings.
01
The reference
Retrieved sources · scope below
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
The selected sound is the keyboard part of Jump; no claim about other recordings is needed.
The interview supports the instrument attribution and overdub order, but supplies no knob settings. No original patch sheet was located.
Per Hispasonic: detuned saws with a very open filter, low filter sustain and little amp release. This differs from the high-sustain, octave-up MusicRadar recipe. Hardware amounts are inferred; the OB-X attribution is disputed.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
The DeepMind 12 has only one sawtooth oscillator per voice; the lower-level detuned OSC2 square substitutes for the OB-Xa dual-saw spread. Inferred translation of Hispasonic low filter sustain and short release. Shared envelope controls compromise independent filter and amplitude sustain.
04
Listen → improve → revise
Awaiting listening review
These settings have not been marked auditioned. Use Demo this preset, compare the attack, low end and movement, then use Improve to record what you hear. A saved revision is not proof of a listening test.
Research & revision history · 3 saved events
Updates
The saved research and rendition history.
Re-researched
No write-up sections changed.
Research: 69/100 → 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
A distinct source reading was saved. Write-up unchanged.
Research: 45/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Researched
First research write-up · sound-research@v2.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Full saved write-up
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Per Hispasonic: detuned saws with a very open filter, low filter sustain and little amp release. This differs from the high-sustain, octave-up MusicRadar recipe. Hardware amounts are inferred; the OB-X attribution is disputed.
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Walrus Audio Meraki Stereo Analog Dual Delay · Bypass
Why bypass this delay?
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Eventide H9 Max (instance #1) · Bypass
Why bypass this reverb?
Inferred routing choice for this reading; no original hardware chain is claimed. Reverb is suggested by the sources, but the panel exposes no exact algorithm selector, so H9 remains inactive; no algorithm-specific values are invented.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
ACTIVE
OFF
Saved settings outside this route
dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
MatrixBrute is not a true polyphonic OB-Xa-style voice stack, so the iconic block chords cannot be produced as played; this map trades chordal weight for a bright mono/paraphonic saw-brass timbre with chorus standing in for voice spread. Inferred translation of Hispasonic low filter sustain and short release.
78 saved controls · — means no saved value
Demo this preset
Play a short exercise to hear the attack, movement and release. These are original audition patterns, not transcriptions of the reference song.
Arturia MatrixBrute · per Hispasonic reconstruction · Single notes · 4/4
Listen to the chord attack and decay. Mono renditions use one note at a time.
Import the MIDI into your DAW, route its track to the synth showing this preset, and loop the selected bars. Tempo and key are exercise settings. C4 means MIDI note 60; some DAWs label octaves differently. The MIDI sends notes on channel 1 and contains no patch change. It does not load the preset or trigger hardware from this page.
Why this preset? Sources, design & revisions
Follow the decisions from reference to recipe. Excerpts below link to the full write-up. A recording link confirms identity, not the original gear or settings.
01
The reference
Retrieved sources · scope below
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
The selected sound is the keyboard part of Jump; no claim about other recordings is needed.
The interview supports the instrument attribution and overdub order, but supplies no knob settings. No original patch sheet was located.
Per Hispasonic: detuned saws with a very open filter, low filter sustain and little amp release. This differs from the high-sustain, octave-up MusicRadar recipe. Hardware amounts are inferred; the OB-X attribution is disputed.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
MatrixBrute is not a true polyphonic OB-Xa-style voice stack, so the iconic block chords cannot be produced as played; this map trades chordal weight for a bright mono/paraphonic saw-brass timbre with chorus standing in for voice spread. Inferred translation of Hispasonic low filter sustain and short release.
04
Listen → improve → revise
Awaiting listening review
These settings have not been marked auditioned. Use Demo this preset, compare the attack, low end and movement, then use Improve to record what you hear. A saved revision is not proof of a listening test.
Research & revision history · 3 saved events
Updates
The saved research and rendition history.
Re-researched
No write-up sections changed.
Research: 69/100 → 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
A distinct source reading was saved. Write-up unchanged.
Research: 45/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Researched
First research write-up · sound-research@v2.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Full saved write-up
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Per Hispasonic: detuned saws with a very open filter, low filter sustain and little amp release. This differs from the high-sustain, octave-up MusicRadar recipe. Hardware amounts are inferred; the OB-X attribution is disputed.
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Walrus Audio Meraki Stereo Analog Dual Delay · Bypass
Why bypass this delay?
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Eventide H9 Max (instance #1) · Bypass
Why bypass this reverb?
Inferred routing choice for this reading; no original hardware chain is claimed. Reverb is suggested by the sources, but the panel exposes no exact algorithm selector, so H9 remains inactive; no algorithm-specific values are invented.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
ACTIVE
OFF
Saved settings outside this route
dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
MS-20 Mini is monophonic with no OB-Xa chord stack, per-voice detune/panning, or onboard ambience; this trades the iconic block chords for a bright single-voice saw brass to play as lead lines, rapid chord-tone arpeggios, or multitracked parts. Inferred translation of Hispasonic low filter sustain and short release. Shared envelope controls compromise independent filter and amplitude sustain.
27 saved controls · — means no saved value
Demo this preset
Play a short exercise to hear the attack, movement and release. These are original audition patterns, not transcriptions of the reference song.
Korg MS-20 Mini · per Hispasonic reconstruction · Single notes · 4/4
Listen to the chord attack and decay. Mono renditions use one note at a time.
Import the MIDI into your DAW, route its track to the synth showing this preset, and loop the selected bars. Tempo and key are exercise settings. C4 means MIDI note 60; some DAWs label octaves differently. The MIDI sends notes on channel 1 and contains no patch change. It does not load the preset or trigger hardware from this page.
Why this preset? Sources, design & revisions
Follow the decisions from reference to recipe. Excerpts below link to the full write-up. A recording link confirms identity, not the original gear or settings.
01
The reference
Retrieved sources · scope below
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
The selected sound is the keyboard part of Jump; no claim about other recordings is needed.
The interview supports the instrument attribution and overdub order, but supplies no knob settings. No original patch sheet was located.
Per Hispasonic: detuned saws with a very open filter, low filter sustain and little amp release. This differs from the high-sustain, octave-up MusicRadar recipe. Hardware amounts are inferred; the OB-X attribution is disputed.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
MS-20 Mini is monophonic with no OB-Xa chord stack, per-voice detune/panning, or onboard ambience; this trades the iconic block chords for a bright single-voice saw brass to play as lead lines, rapid chord-tone arpeggios, or multitracked parts. Inferred translation of Hispasonic low filter sustain and short release. Shared envelope controls compromise independent filter and amplitude sustain.
04
Listen → improve → revise
Awaiting listening review
These settings have not been marked auditioned. Use Demo this preset, compare the attack, low end and movement, then use Improve to record what you hear. A saved revision is not proof of a listening test.
Research & revision history · 3 saved events
Updates
The saved research and rendition history.
Re-researched
No write-up sections changed.
Research: 69/100 → 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Alternate added · Korg MS-20 Mini · reconstruction
Revision 1 · source version: reconstruction
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
A distinct source reading was saved. Write-up unchanged.
Research: 45/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Researched
First research write-up · sound-research@v2.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Full saved write-up
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Per Hispasonic: detuned saws with a very open filter, low filter sustain and little amp release. This differs from the high-sustain, octave-up MusicRadar recipe. Hardware amounts are inferred; the OB-X attribution is disputed.
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Walrus Audio Meraki Stereo Analog Dual Delay · Bypass
Why bypass this delay?
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Eventide H9 Max (instance #1) · Bypass
Why bypass this reverb?
Inferred routing choice for this reading; no original hardware chain is claimed. Reverb is suggested by the sources, but the panel exposes no exact algorithm selector, so H9 remains inactive; no algorithm-specific values are invented.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
ACTIVE
OFF
Saved settings outside this route
dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
Neutron has only two VCOs with two-note paraphony through one shared filter/VCA, mono output, and no OB-Xa voice-card stereo spread or reverb; full Jump triads need multitracking or another poly synth, so this trades chord mass for bright dyad/single-note saw stabs. Inferred translation of Hispasonic low filter sustain and short release.
30 saved controls · — means no saved value
Demo this preset
Play a short exercise to hear the attack, movement and release. These are original audition patterns, not transcriptions of the reference song.
Behringer Neutron · per Hispasonic reconstruction · Single notes · 4/4
Listen to the chord attack and decay. Mono renditions use one note at a time.
Import the MIDI into your DAW, route its track to the synth showing this preset, and loop the selected bars. Tempo and key are exercise settings. C4 means MIDI note 60; some DAWs label octaves differently. The MIDI sends notes on channel 1 and contains no patch change. It does not load the preset or trigger hardware from this page.
Why this preset? Sources, design & revisions
Follow the decisions from reference to recipe. Excerpts below link to the full write-up. A recording link confirms identity, not the original gear or settings.
01
The reference
Retrieved sources · scope below
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
The selected sound is the keyboard part of Jump; no claim about other recordings is needed.
The interview supports the instrument attribution and overdub order, but supplies no knob settings. No original patch sheet was located.
Per Hispasonic: detuned saws with a very open filter, low filter sustain and little amp release. This differs from the high-sustain, octave-up MusicRadar recipe. Hardware amounts are inferred; the OB-X attribution is disputed.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Neutron has only two VCOs with two-note paraphony through one shared filter/VCA, mono output, and no OB-Xa voice-card stereo spread or reverb; full Jump triads need multitracking or another poly synth, so this trades chord mass for bright dyad/single-note saw stabs. Inferred translation of Hispasonic low filter sustain and short release.
04
Listen → improve → revise
Awaiting listening review
These settings have not been marked auditioned. Use Demo this preset, compare the attack, low end and movement, then use Improve to record what you hear. A saved revision is not proof of a listening test.
Research & revision history · 3 saved events
Updates
The saved research and rendition history.
Re-researched
No write-up sections changed.
Research: 69/100 → 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
A distinct source reading was saved. Write-up unchanged.
Research: 45/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Researched
First research write-up · sound-research@v2.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Full saved write-up
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Per Hispasonic: detuned saws with a very open filter, low filter sustain and little amp release. This differs from the high-sustain, octave-up MusicRadar recipe. Hardware amounts are inferred; the OB-X attribution is disputed.
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Walrus Audio Meraki Stereo Analog Dual Delay · Bypass
Why bypass this delay?
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Eventide H9 Max (instance #1) · Bypass
Why bypass this reverb?
Inferred routing choice for this reading; no original hardware chain is claimed. Reverb is suggested by the sources, but the panel exposes no exact algorithm selector, so H9 remains inactive; no algorithm-specific values are invented.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
ACTIVE
OFF
Saved settings outside this route
dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
The Prologue 8 lacks the OB-Xa's exact voice-card drift, filter character, and factory stereo pan behavior; this map trades that for dual detuned saws, Voice Spread, light drive, and restrained onboard reverb. Inferred translation of Hispasonic low filter sustain and short release.
45 saved controls · — means no saved value
Demo this preset
Play a short exercise to hear the attack, movement and release. These are original audition patterns, not transcriptions of the reference song.
Import the MIDI into your DAW, route its track to the synth showing this preset, and loop the selected bars. Tempo and key are exercise settings. C4 means MIDI note 60; some DAWs label octaves differently. The MIDI sends notes on channel 1 and contains no patch change. It does not load the preset or trigger hardware from this page.
Why this preset? Sources, design & revisions
Follow the decisions from reference to recipe. Excerpts below link to the full write-up. A recording link confirms identity, not the original gear or settings.
01
The reference
Retrieved sources · scope below
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
The selected sound is the keyboard part of Jump; no claim about other recordings is needed.
The interview supports the instrument attribution and overdub order, but supplies no knob settings. No original patch sheet was located.
Per Hispasonic: detuned saws with a very open filter, low filter sustain and little amp release. This differs from the high-sustain, octave-up MusicRadar recipe. Hardware amounts are inferred; the OB-X attribution is disputed.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
The Prologue 8 lacks the OB-Xa's exact voice-card drift, filter character, and factory stereo pan behavior; this map trades that for dual detuned saws, Voice Spread, light drive, and restrained onboard reverb. Inferred translation of Hispasonic low filter sustain and short release.
04
Listen → improve → revise
Awaiting listening review
These settings have not been marked auditioned. Use Demo this preset, compare the attack, low end and movement, then use Improve to record what you hear. A saved revision is not proof of a listening test.
Research & revision history · 3 saved events
Updates
The saved research and rendition history.
Re-researched
No write-up sections changed.
Research: 69/100 → 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
A distinct source reading was saved. Write-up unchanged.
Research: 45/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Researched
First research write-up · sound-research@v2.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Full saved write-up
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Per Hispasonic: detuned saws with a very open filter, low filter sustain and little amp release. This differs from the high-sustain, octave-up MusicRadar recipe. Hardware amounts are inferred; the OB-X attribution is disputed.
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Walrus Audio Meraki Stereo Analog Dual Delay · Bypass
Why bypass this delay?
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Eventide H9 Max (instance #1) · Bypass
Why bypass this reverb?
Inferred routing choice for this reading; no original hardware chain is claimed. Reverb is suggested by the sources, but the panel exposes no exact algorithm selector, so H9 remains inactive; no algorithm-specific values are invented.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
ACTIVE
OFF
Saved settings outside this route
dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
The UB-Xa covers the core topology; only the researched short plate/room ambience is outside this onboard control map and should be added externally. Inferred translation of Hispasonic low filter sustain and short release.
85 saved controls · — means no saved value
Demo this preset
Play a short exercise to hear the attack, movement and release. These are original audition patterns, not transcriptions of the reference song.
Behringer UB-Xa · per Hispasonic reconstruction · Polyphonic · 4/4
Listen to the chord attack and decay. Mono renditions use one note at a time.
Import the MIDI into your DAW, route its track to the synth showing this preset, and loop the selected bars. Tempo and key are exercise settings. C4 means MIDI note 60; some DAWs label octaves differently. The MIDI sends notes on channel 1 and contains no patch change. It does not load the preset or trigger hardware from this page.
Why this preset? Sources, design & revisions
Follow the decisions from reference to recipe. Excerpts below link to the full write-up. A recording link confirms identity, not the original gear or settings.
01
The reference
Retrieved sources · scope below
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
The selected sound is the keyboard part of Jump; no claim about other recordings is needed.
The interview supports the instrument attribution and overdub order, but supplies no knob settings. No original patch sheet was located.
Per Hispasonic: detuned saws with a very open filter, low filter sustain and little amp release. This differs from the high-sustain, octave-up MusicRadar recipe. Hardware amounts are inferred; the OB-X attribution is disputed.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
The UB-Xa covers the core topology; only the researched short plate/room ambience is outside this onboard control map and should be added externally. Inferred translation of Hispasonic low filter sustain and short release.
04
Listen → improve → revise
Awaiting listening review
These settings have not been marked auditioned. Use Demo this preset, compare the attack, low end and movement, then use Improve to record what you hear. A saved revision is not proof of a listening test.
Research & revision history · 3 saved events
Updates
The saved research and rendition history.
Re-researched
No write-up sections changed.
Research: 69/100 → 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
A distinct source reading was saved. Write-up unchanged.
Research: 45/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Researched
First research write-up · sound-research@v2.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Full saved write-up
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Per Hispasonic: detuned saws with a very open filter, low filter sustain and little amp release. This differs from the high-sustain, octave-up MusicRadar recipe. Hardware amounts are inferred; the OB-X attribution is disputed.
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Walrus Audio Meraki Stereo Analog Dual Delay · Bypass
Why bypass this delay?
Inferred routing choice for this reading; no original hardware chain is claimed.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
BYPASS
ON
Eventide H9 Max (instance #1) · Bypass
Why bypass this reverb?
Inferred routing choice for this reading; no original hardware chain is claimed. Reverb is suggested by the sources, but the panel exposes no exact algorithm selector, so H9 remains inactive; no algorithm-specific values are invented.
Leave this effect bypassed for the saved recipe.
Inspect saved settings
ACTIVE
OFF
Saved settings outside this route
dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
Notes
Studio collection · Brass
Two sourced readings of the Jump brass, with disagreement and inferred hardware settings kept visible.
Primary choice: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Panel view: Simple shows the sound core, Used every section used in this sound, Full the whole panel.
Primary · per Eddie interview + MusicRadar
Research confidence: 69/100 · medium
OB-Xa attribution; octave-up second saw; high filter sustain.
Chain A: DeepMind 12 — Lush Pads & Strings: for Behringer DeepMind 12 · Arturia MatrixBrute · Korg MS-20 Mini · Behringer Neutron · Korg Prologue 8 · Behringer UB-Xa. Saved devices outside the active scope: dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it. tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it. mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it. behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
Research & sound notesRead the write-up +
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Primary follows the artist's OB-Xa attribution and the illustrated MusicRadar recipe: octave-up second saw, 24 dB filter where available and high filter sustain. Hispasonic instead names OB-X and low sustain. Hardware amounts are inferred; neither recipe is an original patch sheet.
OB-X attribution; low filter sustain and little amp release; added chorus.
Chain A: DeepMind 12 — Lush Pads & Strings: for Behringer DeepMind 12 · Arturia MatrixBrute · Korg MS-20 Mini · Behringer Neutron · Korg Prologue 8 · Behringer UB-Xa. Saved devices outside the active scope: dbx1066: saved values exist, but this unit is not confirmed in this chain. Repatch before using it. tl-audio-c1: saved values exist, but this unit is not confirmed in this chain. Repatch before using it. mindprint-tcomp: saved values exist, but this unit is not confirmed in this chain. Repatch before using it. behringer1273: saved values exist, but this unit is not confirmed in this chain. Repatch before using it.
Research & sound notesRead the write-up +
identity
Jump keyboard brass. The instrument attribution is disputed: OB-Xa in the artist interview, OB-X in the Hispasonic account.
Inferred performance: play short chord stabs. Mono targets require arpeggiation or multitracking; no audition is claimed.
Research: 0/100
fx chain
Both reconstructions recommend reverb; Hispasonic also recommends chorus. This does not establish the original studio chain. Hardware effect values below are inferred.
Per Hispasonic: detuned saws with a very open filter, low filter sustain and little amp release. This differs from the high-sustain, octave-up MusicRadar recipe. Hardware amounts are inferred; the OB-X attribution is disputed.
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
A distinct source reading was saved. Write-up unchanged.
Research: 45/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
A distinct source reading was saved. Write-up unchanged.
Research: 45/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
A distinct source reading was saved. Write-up unchanged.
Research: 45/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Alternate added · Korg MS-20 Mini · reconstruction
Revision 1 · source version: reconstruction
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
A distinct source reading was saved. Write-up unchanged.
Research: 45/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
A distinct source reading was saved. Write-up unchanged.
Research: 45/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
A distinct source reading was saved. Write-up unchanged.
Research: 45/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Remapped · Behringer UB-Xa
Revision 1 · source version: primary
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
No control values changed; mapping write recorded. Write-up unchanged.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Remapped · Korg Prologue 8
Revision 1 · source version: primary
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
No control values changed; mapping write recorded. Write-up unchanged.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Remapped · Behringer Neutron
Revision 1 · source version: primary
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
No control values changed; mapping write recorded. Write-up unchanged.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Remapped · Korg MS-20 Mini
Revision 1 · source version: primary
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
No control values changed; mapping write recorded. Write-up unchanged.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Remapped · Arturia MatrixBrute
Revision 1 · source version: primary
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
No control values changed; mapping write recorded. Write-up unchanged.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Remapped · Behringer DeepMind 12
Revision 1 · source version: primary
Request this revision
Copy into your connected Codex or Claude conversation. Review the differences and give a restore reason before saving.
No control values changed; mapping write recorded. Write-up unchanged.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.
Researched
First research write-up · sound-research@v2.
Research: 69/100
Stated reason: At both serial conversation stops, nobody could answer. Selected the best-supported reading: the first-person OB-Xa attribution plus the MusicRadar reconstruction (69/100); retained the conflicting Hispasonic reconstruction (45/100). No listening or original patch-sheet verification is claimed.