It's Digital

Patchbay

Korg MS-20

Committed default
    ··· Existing path— Proposed patch

    Physical bays

    Patch Bay 4 Left

    1. 1
      DeepMind 12Top · line output · left
      Bottom · line input · left
    2. 2
      DeepMind 12Top · line output · right
      UnassignedBottom · Available jack
    3. 3
      UB-XaTop · line output · left
      Bottom · line input · left
    4. 4
      UB-XaTop · line output · right
      UnassignedBottom · Available jack
    5. 5
      Prologue 8Top · line output · left
      Mindprint T-CompBottom · line input · left
    6. 6
      Prologue 8Top · line output · right
      Mindprint T-CompBottom · line input · right
    7. 7
      Top · mic output · left
      Black Lion Audio AuteurBottom · mic input · left
    8. 8
      Top · mic output · right
      Black Lion Audio AuteurBottom · mic input · right
    9. 9
      Top · line output · leftTHRU
      Cross-bay linkBottom · Patch Bay 1 · slot 9THRU
    10. 10
      Top · line output · rightTHRU
      Cross-bay linkBottom · Patch Bay 1 · slot 10THRU
    11. 11
      Black Lion Audio AuteurTop · line output · leftTHRU
      Cross-bay linkBottom · Patch Bay 1 · slot 11THRU
    12. 12
      Black Lion Audio AuteurTop · line output · rightTHRU
      Cross-bay linkBottom · Patch Bay 1 · slot 12THRU
    13. 13
      Mindprint T-CompTop · line output · leftTHRU
      Cross-bay linkBottom · Patch Bay 1 · slot 13THRU
    14. 14
      Mindprint T-CompTop · line output · rightTHRU
      Cross-bay linkBottom · Patch Bay 1 · slot 14THRU
    15. 15
      Roland VT-3Top · line output · leftTHRU
      Cross-bay linkBottom · Patch Bay 1 · slot 15THRU
    16. 16
      Roland VT-3Top · line output · rightTHRU
      Cross-bay linkBottom · Patch Bay 1 · slot 16THRU

    Patch Bay 1 Right

    1. 1
      Top · unresolved output · left
      PreSonus AR22Bottom · line input · channel 1
    2. 2
      Top · unresolved output · right
      PreSonus AR22Bottom · line input · channel 2
    3. 3
      Top · instrument output · left
      PreSonus AR22Bottom · line input · channel 3
    4. 4
      Elektron DigitaktTop · line output · left
      PreSonus AR22Bottom · line input · channel 4
    5. 5
      Elektron DigitaktTop · line output · right
      PreSonus AR22Bottom · line input · channel 5
    6. 6
      Intellijel Quad VCATop · line output · left
      PreSonus AR22Bottom · line input · channel 6
    7. 7
      Intellijel Quad VCATop · line output · right
      PreSonus AR22Bottom · line input · channel 7
    8. 8
      UnassignedTop · Available jack
      PreSonus AR22Bottom · line input · channel 8
    9. 9
      Cross-bay linkTop · Patch Bay 4 · slot 9THRU
      PreSonus AR22Bottom · line input · channel 9THRU
    10. 10
      Cross-bay linkTop · Patch Bay 4 · slot 10THRU
      PreSonus AR22Bottom · line input · channel 10THRU
    11. 11
      Cross-bay linkTop · Patch Bay 4 · slot 11THRU
      PreSonus AR22Bottom · line input · channel 11THRU
    12. 12
      Cross-bay linkTop · Patch Bay 4 · slot 12THRU
      PreSonus AR22Bottom · line input · channel 12THRU
    13. 13
      Cross-bay linkTop · Patch Bay 4 · slot 13THRU
      PreSonus AR22Bottom · line input · channel 13THRU
    14. 14
      Cross-bay linkTop · Patch Bay 4 · slot 14THRU
      PreSonus AR22Bottom · line input · channel 14THRU
    15. 15
      Cross-bay linkTop · Patch Bay 4 · slot 15THRU
      PreSonus AR22Bottom · line input · channel 15THRU
    16. 16
      Cross-bay linkTop · Patch Bay 4 · slot 16THRU
      PreSonus AR22Bottom · line input · channel 16THRU

    Patch Bay 2 Right

    1. 1
      Korg MS-20Top · line output · left
      Bottom · line input · left
    2. 2
      MatrixBruteTop · line output · left
      Bottom · line input · left
    3. 3
      MatrixBruteTop · line output · right
      UnassignedBottom · Available jack
    4. 4
      UnassignedTop · Available jack
      Behringer 1273Bottom · instrument input · left
    5. 5
      UnassignedTop · Available jack
      Behringer 1273Bottom · instrument input · right
    6. 6
      Behringer 1273Top · line output · left
      Behringer 1273Bottom · line input · left
    7. 7
      Behringer 1273Top · line output · right
      Behringer 1273Bottom · line input · right
    8. 8
      UnassignedTop · Available jack
      TL Audio C1Bottom · instrument input · left
    9. 9
      UnassignedTop · Available jack
      TL Audio C1Bottom · instrument input · right
    10. 10
      TL Audio C1Top · line output · left
      TL Audio C1Bottom · line input · left
    11. 11
      TL Audio C1Top · line output · right
      TL Audio C1Bottom · line input · right
    12. 12
      UnassignedTop · Available jack
      UnassignedBottom · Available jack
    13. 13
      UnassignedTop · Available jack
      Elektron DigitaktBottom · line input · left
    14. 14
      UnassignedTop · Available jack
      Elektron DigitaktBottom · line input · right
    15. 15
      PreSonus AR22Top · line output · main left
      Focal monitorsBottom · line input · left
    16. 16
      PreSonus AR22Top · line output · main right
      Focal monitorsBottom · line input · right

    Patch Bay 3 Right

    1. 1
      dbx 1066Top · line output · left
      dbx 1066Bottom · line input · left
    2. 2
      dbx 1066Top · line output · right
      dbx 1066Bottom · line input · right
    3. 3
      dbx 1066Top · unresolved output · left
      dbx 1066Bottom · unresolved input · left
    4. 4
      dbx 1066Top · unresolved output · right
      dbx 1066Bottom · unresolved input · right
    5. 5
      UnassignedTop · Available jack
      UnassignedBottom · Available jack
    6. 6
      UnassignedTop · Available jack
      UnassignedBottom · Available jack
    7. 7
      Behringer UMC1820Top · line output · channel 3
      Behringer UMC1820Bottom · line input · channel 1
    8. 8
      Behringer UMC1820Top · line output · channel 4
      Behringer UMC1820Bottom · line input · channel 2
    9. 9
      Behringer UMC1820Top · line output · channel 5
      Behringer UMC1820Bottom · line input · channel 3
    10. 10
      Behringer UMC1820Top · line output · channel 6
      Behringer UMC1820Bottom · line input · channel 4
    11. 11
      Behringer UMC1820Top · line output · channel 7
      Behringer UMC1820Bottom · line input · channel 5
    12. 12
      Behringer UMC1820Top · line output · channel 8
      Behringer UMC1820Bottom · line input · channel 6
    13. 13
      Behringer UMC1820Top · line output · channel 9
      Behringer UMC1820Bottom · line input · channel 7
    14. 14
      Behringer UMC1820Top · line output · channel 10
      Behringer UMC1820Bottom · line input · channel 8
    15. 15
      Behringer UMC1820Top · line output · main left
      UnassignedBottom · Available jack
    16. 16
      Behringer UMC1820Top · line output · main right
      UnassignedBottom · Available jack
    Notes

    Recording setup

    This page plans one route. It does not configure audio hardware or the DAW, confirm installed patches or measure signal levels. Existing paths come from the committed wiring sheet; solid lines are proposed patches. Insert rows on Patch Bays 2 and 3 are separate device outputs and inputs, never automatic feedback connections.

    UMC1820 inputs use proposed stable names Record 1–8 (mono) and Record 1–2 / 3–4 / 5–6 / 7–8 (stereo). Mono and stereo aliases share the same physical inputs. The current route reserves its chosen inputs; other UMC use is unverified. Keep the instrument name on the track. PreSonus input numbers refer to the physical AR22 line inputs; a DAW mapping for the desk is not assumed.

    A DAW send uses UMC1820 outputs 3–10. Use a distinct recording return and exclude its track from that send, including software and hardware monitoring paths. The checkbox records a planning assumption; verify the real routing before connecting hardware.

    “Fender Pro” is assumed to mean Fender Studio Pro. Its official I/O guide describes named mono and stereo software channels mapped to hardware inputs. These aliases are proposals and have not been applied.

    Pedal chains and physical bays

    Every pedal chain enters a reamp. Pedal Chain 3 ends in a stereo passive DI at mic level; Pedal Chain 4 ends in a stereo J+4 line booster. Pedal Chain 1's output box and saved dbx 1066 placement remain unconfirmed. Pedal Chain 2's output hardware and level are unresolved. Pedal Chain 4's pedal order is unknown.

    Default chain feeds use the instrument's committed left output, even where the chain produces stereo. Choosing a stereo source for a mono chain input requires changing the explicit output selection; the planner never silently discards the right channel. The committed Pedal Chain 1 to AR22 normal remains visible with its unresolved level match.

    Patch Bay 4 sits on the left; Patch Bays 1–3 sit on the right. Green shading marks participating jacks, including reciprocal cross-bay THRU connections. Other slots remain readable. AR22 assignments stay visible when a proposed route replaces them.

    Source and short codes

    Source: StudioHub/StudioHub/Data/routing/PATCHBAY.xlsx, sheet Sheet1, SHA-256 7b7164f88c37f3857af84bd1d11ba4e2b6148d64b651739abdb5dfbebfaa4696. Generated by scripts/wiring/import_patchbay.py. Saved pedals: StudioHub/StudioHub/Data/routing/site-routing.json. Scoped chain facts: catalog/src/lib/wiring-chain-facts.json (SM295 accepted owner facts, 2026-09-28).

    Raw SB and PC identifiers remain unchanged. Pedal Chains 1, 2 and 3 join saved tracks D, C and A respectively; Pedal Chain 4 has no confirmed saved association. The display does not relocate pedals. Raw jack levels Z/L/M mean instrument/line/mic; effective chain levels are shown separately.