Korg MS-20
Committed defaultRecording setup needs attention
Physical bays
Patch Bay 4 Left
- 1DeepMind 12
DM12-LOLTop · line output · leftBottom · line input · left - 2DeepMind 12
DM12-LORTop · line output · rightUnassigned—Bottom · Available jack - 3UB-Xa
UBXA-LOLTop · line output · leftBottom · line input · left - 4UB-Xa
UBXA-LORTop · line output · rightUnassigned—Bottom · Available jack - 5Prologue 8
PRLG-LOLTop · line output · leftMindprint T-CompTCMP-LILBottom · line input · left - 6Prologue 8
PRLG-LORTop · line output · rightMindprint T-CompTCMP-LIRBottom · line input · right - 7Top · mic output · leftBlack Lion Audio Auteur
AUTR-MILBottom · mic input · left - 8Top · mic output · rightBlack Lion Audio Auteur
AUTR-MIRBottom · mic input · right - 9Top · line output · leftTHRUCross-bay link
SB1-9Bottom · Patch Bay 1 · slot 9THRU - 10Top · line output · rightTHRUCross-bay link
SB1-10Bottom · Patch Bay 1 · slot 10THRU - 11Black Lion Audio Auteur
AUTR-LOLTop · line output · leftTHRUCross-bay linkSB1-11Bottom · Patch Bay 1 · slot 11THRU - 12Black Lion Audio Auteur
AUTR-LORTop · line output · rightTHRUCross-bay linkSB1-12Bottom · Patch Bay 1 · slot 12THRU - 13Mindprint T-Comp
TCMP-LOLTop · line output · leftTHRUCross-bay linkSB1-13Bottom · Patch Bay 1 · slot 13THRU - 14Mindprint T-Comp
TCMP-LORTop · line output · rightTHRUCross-bay linkSB1-14Bottom · Patch Bay 1 · slot 14THRU - 15Roland VT-3
VST3-LOLTop · line output · leftTHRUCross-bay linkSB1-15Bottom · Patch Bay 1 · slot 15THRU - 16Roland VT-3
VST3-LORTop · line output · rightTHRUCross-bay linkSB1-16Bottom · Patch Bay 1 · slot 16THRU
Patch Bay 1 Right
- 1Top · unresolved output · leftPreSonus AR22
AR22-LI1Bottom · line input · channel 1 - 2Top · unresolved output · rightPreSonus AR22
AR22-LI2Bottom · line input · channel 2 - 3Top · instrument output · leftPreSonus AR22
AR22-LI3Bottom · line input · channel 3 - 4Elektron Digitakt
DIGI-LOLTop · line output · leftPreSonus AR22AR22-LI4Bottom · line input · channel 4 - 5Elektron Digitakt
DIGI-LORTop · line output · rightPreSonus AR22AR22-LI5Bottom · line input · channel 5 - 6Intellijel Quad VCA
EUR-LOLTop · line output · leftPreSonus AR22AR22-LI6Bottom · line input · channel 6 - 7Intellijel Quad VCA
EUR-LORTop · line output · rightPreSonus AR22AR22-LI7Bottom · line input · channel 7 - 8Unassigned
—Top · Available jackPreSonus AR22AR22-LI8Bottom · line input · channel 8 - 9Cross-bay link
SB4-9Top · Patch Bay 4 · slot 9THRUPreSonus AR22AR22-LI9Bottom · line input · channel 9THRU - 10Cross-bay link
SB4-10Top · Patch Bay 4 · slot 10THRUPreSonus AR22AR22-LI10Bottom · line input · channel 10THRU - 11Cross-bay link
SB4-11Top · Patch Bay 4 · slot 11THRUPreSonus AR22AR22-LI11Bottom · line input · channel 11THRU - 12Cross-bay link
SB4-12Top · Patch Bay 4 · slot 12THRUPreSonus AR22AR22-LI12Bottom · line input · channel 12THRU - 13Cross-bay link
SB4-13Top · Patch Bay 4 · slot 13THRUPreSonus AR22AR22-LI13Bottom · line input · channel 13THRU - 14Cross-bay link
SB4-14Top · Patch Bay 4 · slot 14THRUPreSonus AR22AR22-LI14Bottom · line input · channel 14THRU - 15Cross-bay link
SB4-15Top · Patch Bay 4 · slot 15THRUPreSonus AR22AR22-LI15Bottom · line input · channel 15THRU - 16Cross-bay link
SB4-16Top · Patch Bay 4 · slot 16THRUPreSonus AR22AR22-LI16Bottom · line input · channel 16THRU
Patch Bay 2 Right
- 1Korg MS-20
MS20-LOLTop · line output · leftBottom · line input · left - 2MatrixBrute
MXB-LOLTop · line output · leftBottom · line input · left - 3MatrixBrute
MXB-LORTop · line output · rightUnassigned—Bottom · Available jack - 4Unassigned
—Top · Available jackBehringer 12731273-ZILBottom · instrument input · left - 5Unassigned
—Top · Available jackBehringer 12731273-ZIRBottom · instrument input · right - 6Behringer 1273
1273-LOLTop · line output · leftBehringer 12731273-LILBottom · line input · left - 7Behringer 1273
1273-LORTop · line output · rightBehringer 12731273-LIRBottom · line input · right - 8Unassigned
—Top · Available jackTL Audio C1TLC1-ZILBottom · instrument input · left - 9Unassigned
—Top · Available jackTL Audio C1TLC1-ZIRBottom · instrument input · right - 10TL Audio C1
TLC1-LOLTop · line output · leftTL Audio C1TLC1-LILBottom · line input · left - 11TL Audio C1
TLC1-LORTop · line output · rightTL Audio C1TLC1-LIRBottom · line input · right - 12Unassigned
—Top · Available jackUnassigned—Bottom · Available jack - 13Unassigned
—Top · Available jackElektron DigitaktDIGI-LILBottom · line input · left - 14Unassigned
—Top · Available jackElektron DigitaktDIGI-LIRBottom · line input · right - 15PreSonus AR22
AR22-LOMLTop · line output · main leftFocal monitorsFOCAL-LILBottom · line input · left - 16PreSonus AR22
AR22-LOMRTop · line output · main rightFocal monitorsFOCAL-LIRBottom · line input · right
Patch Bay 3 Right
- 1dbx 1066
DBX-LOLTop · line output · leftdbx 1066DBX-LILBottom · line input · left - 2dbx 1066
DBX-LORTop · line output · rightdbx 1066DBX-LIRBottom · line input · right - 3dbx 1066
DBX-SNDLTop · unresolved output · leftdbx 1066DBX-RETLBottom · unresolved input · left - 4dbx 1066
DBX-SNDRTop · unresolved output · rightdbx 1066DBX-RETRBottom · unresolved input · right - 5Unassigned
—Top · Available jackUnassigned—Bottom · Available jack - 6Unassigned
—Top · Available jackUnassigned—Bottom · Available jack - 7Behringer UMC1820
1820-LO3Top · line output · channel 3Behringer UMC18201820-LI1Bottom · line input · channel 1 - 8Behringer UMC1820
1820-LO4Top · line output · channel 4Behringer UMC18201820-LI2Bottom · line input · channel 2 - 9Behringer UMC1820
1820-LO5Top · line output · channel 5Behringer UMC18201820-LI3Bottom · line input · channel 3 - 10Behringer UMC1820
1820-LO6Top · line output · channel 6Behringer UMC18201820-LI4Bottom · line input · channel 4 - 11Behringer UMC1820
1820-LO7Top · line output · channel 7Behringer UMC18201820-LI5Bottom · line input · channel 5 - 12Behringer UMC1820
1820-LO8Top · line output · channel 8Behringer UMC18201820-LI6Bottom · line input · channel 6 - 13Behringer UMC1820
1820-LO9Top · line output · channel 9Behringer UMC18201820-LI7Bottom · line input · channel 7 - 14Behringer UMC1820
1820-LO10Top · line output · channel 10Behringer UMC18201820-LI8Bottom · line input · channel 8 - 15Behringer UMC1820
1820-LOMLTop · line output · main leftUnassigned—Bottom · Available jack - 16Behringer UMC1820
1820-LOMRTop · line output · main rightUnassigned—Bottom · Available jack
Notes
Recording setup
This page plans one route. It does not configure audio hardware or the DAW, confirm installed patches or measure signal levels. Existing paths come from the committed wiring sheet; solid lines are proposed patches. Insert rows on Patch Bays 2 and 3 are separate device outputs and inputs, never automatic feedback connections.
UMC1820 inputs use proposed stable names Record 1–8 (mono) and Record 1–2 / 3–4 / 5–6 / 7–8 (stereo). Mono and stereo aliases share the same physical inputs. The current route reserves its chosen inputs; other UMC use is unverified. Keep the instrument name on the track. PreSonus input numbers refer to the physical AR22 line inputs; a DAW mapping for the desk is not assumed.
A DAW send uses UMC1820 outputs 3–10. Use a distinct recording return and exclude its track from that send, including software and hardware monitoring paths. The checkbox records a planning assumption; verify the real routing before connecting hardware.
“Fender Pro” is assumed to mean Fender Studio Pro. Its official I/O guide describes named mono and stereo software channels mapped to hardware inputs. These aliases are proposals and have not been applied.
Pedal chains and physical bays
Every pedal chain enters a reamp. Pedal Chain 3 ends in a stereo passive DI at mic level; Pedal Chain 4 ends in a stereo J+4 line booster. Pedal Chain 1's output box and saved dbx 1066 placement remain unconfirmed. Pedal Chain 2's output hardware and level are unresolved. Pedal Chain 4's pedal order is unknown.
Default chain feeds use the instrument's committed left output, even where the chain produces stereo. Choosing a stereo source for a mono chain input requires changing the explicit output selection; the planner never silently discards the right channel. The committed Pedal Chain 1 to AR22 normal remains visible with its unresolved level match.
Patch Bay 4 sits on the left; Patch Bays 1–3 sit on the right. Green shading marks participating jacks, including reciprocal cross-bay THRU connections. Other slots remain readable. AR22 assignments stay visible when a proposed route replaces them.
Source and short codes
Source: StudioHub/StudioHub/Data/routing/PATCHBAY.xlsx, sheet Sheet1, SHA-256 7b7164f88c37f3857af84bd1d11ba4e2b6148d64b651739abdb5dfbebfaa4696. Generated by scripts/wiring/import_patchbay.py. Saved pedals: StudioHub/StudioHub/Data/routing/site-routing.json. Scoped chain facts: catalog/src/lib/wiring-chain-facts.json (SM295 accepted owner facts, 2026-09-28).
Raw SB and PC identifiers remain unchanged. Pedal Chains 1, 2 and 3 join saved tracks D, C and A respectively; Pedal Chain 4 has no confirmed saved association. The display does not relocate pedals. Raw jack levels Z/L/M mean instrument/line/mic; effective chain levels are shown separately.